Captain Caaaave Maaaan! |
So I’ve decided to take another approach and make today’s post
about why I love this kooky language
of ours so much. Hopefully by the end of this piece my lovely readers will
understand that my bashing of bad grammar isn’t purely out of snobbery; it’s
out of an earnest desire to preserve the richness and the meaningful structure of
the language. If anything, I’m a mama bear protecting her favorite cubs.
I’ll start with an example from one of my favorite authors.
I love, love, love, love LOVE Isaac Asimov (Did I mention that I love him?),
not for his prose, but for his story-telling, suspense-building, and his sharp
analytic mind. Reading his robot novels is a master class in science fiction
and analytics all in one. Last week I was reading The Robots of Dawn and came across a passage where Elijah Baley,
our hero, was trying to explain the difference between the words ‘homicide’ and
‘murder’ to a robot. By definition these two words are the same and so the
robot makes no distinction, but Baley has to try to explain why a human would
scream ‘Murder!’ rather than ‘Homicide!’ when witnessing the act.
And why is that?
Those two synonymous words, like so many so many in our
language, have evolved their own emotional value through usage, through
cultural development, and through association. At some early point people may
not have made any distinction between the two, but now we reserve the word
homicide for describing the legal nature of the act, and murder for the emotionally
charged, teeth-clenching, fear-inspiring nature of the act.
Now think of some other similar words from a writer’s POV. This
is where my love of our fantastically diverse and complex language comes into
play; when it comes to the thesaurus I’m like a kid at the world’s most
gigantic and nerdy vending machine. For fun, I’m including a short list of
other synonyms without a definable distinction. Take a look at these and think
about the way they make you feel; if you use one instead of the other in a
sentence, does it change the image you want to convey?
Worried, Apprehensive, Fraught
Weak, Frail, Spineless
Hungry, Famished, Ravenous
Fat, Obese, Beefy
Smile, Grin, Leer
Arrive, Appear, Pop-in
Surprise, Overwhelm, Dumbfound
Real, Solid, Absolute
Some of these are more subtle than others, but they are still the key device in the writer’s tool box and the most important part of the picture we want the reader to paint for themselves. What are your favorite synonyms to add to this list?